Urban Folds. Pablo Palazuelo at the Open Air Sculpture Museum on Paseo de la Castellana

Abstract

This article explores the architectural influence on the sculptural and urban work of the artist Pablo Palazuelo, despite not being able to complete his studies at Oxford due to the Spanish Civil War. It focuses on his work for the Open Air Sculpture Museum on Paseo de la Castellana, Madrid (1977-1978), by investigating his working process through sketches and writings of the artist. His travels and theoretical foundations are analyzed, highlighting both his syncretism between Western and Eastern cultures and his search for a new geometry. The transition to sculpture influenced by Russian constructivists and his attempts to integrate architectural elements into his work are also examined, including collaborations with engineers, architects, and other artists. The article concludes that Palazuelo's work transcends mere urban sculpture, harboring a significant architectural component, and suggests new lines of research based on his artistic and geometric legacy.